Interview: Bruce Sudano: The singer-songwriter, producer, and arranger speaks about the late Donna Summer

On May 17, 2012, the world lost a legend with the passing of Donna Summer, dubbed the “queen of disco.”  In the following interview Bruce Sudano, Summer’s husband, discusses his contribution to Love to Love you Donna the new remix album on Verve Records celebrating the Rock and Roll Hall of Fame inductee and voice of the ages.

Let’s talk about Donna’s legacy and how you chose to honor her work?

Soon after Donna passed away, I began to recognize the desire and responsibility of caring for Donna’s legacy. My kids and I spoke about it at length, ‘What were the priorities, what would have the most impact and how would things layout time wise, going into the future?’  My thought was and is, whenever possible work with friends–very talented friends–but people who knew and loved Donna.

How did the LOVE TO LOVE YOU DONNA project take form?

One night at dinner in Malibu with David [Foster, Verve Chairman] and his wife Yolanda, I said I had an idea and asked for a meeting with his staff.  I presented Verve with two ideas, a remix album, and an album of Donna hits–I already had a list of contemporary singers and Donna songs.  I knew both ideas were long shots but for completely different reasons; however, it quickly became apparent that the album of new recordings was an unattainable goal.  So onto the remix record–something Donna and I had discussed for years.

What were the next steps in the creation of LOVE TO LOVE YOU DONNA?

Well, there was one major problem…Universal couldn’t find the master recordings of Donna’s catalogue! Hard to believe but true, so we decided to search again anyway.  In the end, as unbelievable as this sounds, Giorgio [Moroder] found some of the masters in his laundry room.”  “For all the other vocals there’s a new technology that allows you to isolate and separate the vocal from a mix. It wasn’t cheap, but we tried and the results were mixed. Sometimes it worked great, sometimes it didn’t work as well, which was the case with ‘Working the Midnight Shift’ (the Donna shadow controversy), but I really wanted that song on the record, as well as ‘Our Love’–after all these were songs she also wrote. I was pushing for more obscure songs but for obvious reasons the label and some of the remixers wanted the hits.

How involved were you in the selection of the remixers?

I wasn’t involved specifically in the selection of the remixers–this complicated task fell to the very capable Dahlia Ambach-Caplin and Randall Poster, both of whom are experts in the genre and know all the players. This was no easy process either.  They did it brilliantly, casting the record with a diverse group of contemporary remixers to re-imagine Donna’s songs for the current dance scene.  It would have to cover many bases in order to hit all the different styles and moods of the scene currently in vogue, but they got it done.  Donna was always about pushing the envelope and never wanted to repeat herself. She wanted to be in the moment, or even better a step ahead, so we knew not to play it safe in our approach.  But at the same time, we had an understanding that some Donna purists might be put off.  My thought always is, the originals exist.  This record is about bringing Donna music into the current dance world, much of which is ambient and deconstructed and hard for older ears to digest, especially for those married to the originals. To them I say, try to imagine yourself as a 24-year old hitting the clubs! If you can’t do that, put the record on when you’re cleaning the house on a Saturday, it works perfectly! I know, I tried it.

Any favorite tracks on LOVE TO LOVE YOU DONNA?

I like all the tracks on the record obviously, but if I had to choose a favorite, today I’d say ‘Dim All The Lights,’ OMG!!  I think the album works as a whole from start to finish–it takes you on a trip with different flourishes and remembrances of Donna along the way.  I’ll tell you this, it’s always a challenge to reinterpret a masterpiece, but you have to try and separate yourself from it and view it as something new.

Let’s talk about “La Dolce Vita.”  What made you decide to release the track now?  

From the very beginning of the project, it was my desire to include a new song, especially for the fans. I knew they wanted new Donna as much as I did, but the label wasn’t convinced. I sent them a demo of the song ‘La Dolce Vita’ early on and they said they didn’t feel it would work. Somewhere along the way I brought it up again but they still weren’t feeling it. Finally, as we were getting ready to master the album, Giorgio [Moroder] asked me if I had any new Donna songs that he could possibly include on a project of his. I took this as an opportunity to approach the company again and said, ‘What if Giorgio would produce the new song?’ They liked this because it bookended the project in a beautiful way.


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  1. Reply
    Dean Harris [@129_BPM] October 31, 2013 at 11:19 am


    As a life-long fan of Donna’s, I think we owe you, Giorgio, David, and everyone else involved in this project a big “Thank You!” Like I previously stated in one of my reviews on Amazon, “I’m not exactly sure what people expected?” This is not a greatest hits project, it’s a remix album, and a damn good one at that!. Not everyone is going to like every track, but I truly appreciate the love and creativity that went in to each mix.

    Thank you again for a magnificent job!


  2. Reply
    TWN October 31, 2013 at 9:54 pm

    Thanks Bruce for the insight. I hope you have continued success getting Donna out to us who are so looking forward to more more more Donna. I am loving the album more with each listen.

  3. Reply
    Eduardo Hanke November 3, 2013 at 12:02 am

    Bruce, Giorgio, David and everyone involved in this heartfelt project. Brilliant work! Surprisingly fresh and great to dance to. At my happiest dancing to it, I started crying. We all miss her. Thank you, Eduardo

  4. Reply
    Grant Burnside November 3, 2013 at 10:25 am

    Yes – a grand job. As a fifty year old man I might not be an admirer of some of these mixes, but I appreciate their quality and the job they intend to do. Oh and by the way, the cover is gorgeous . . . Donna in her prime.

  5. Reply
    Patrick Driscoll November 4, 2013 at 7:21 am

    Thank you Bruce. As a lifelong fan since 1977, I appreciate all you do and have done for Donna, and for us fans. I’m also 50 years old and probably a purist, one who like the 12″ remixes of the 70s and 80s when they were actually “remixes” and not “re-recordings”. That being said I do like and get what Love To Love You Donna is about. And I can hear Donna in a new setting. Some I like a lot (Love Is In Control, Hot Stuff, Bad Girls…….) and some I can skip if they are just too ambient for my ears and taste! Thanks for clearing up the Midnight Shift controversy! I love the instrumentation of the new version but was truly missing Donna on this one (understatement) and now know why. Thanks for the music Bruce.

  6. Reply
    enrique perez paredes November 12, 2013 at 8:54 pm

    hola bruce soy fan de donna summer desde que tenia 14 años el dia de hoy tengo 51 años no hay dia que no me duela su partida pero el dia de hoy compre su nuevo lp love to love you donna y volvi a sentir esa alegria que sentia cada vez que compraba un nuevo disco de donna gracias bruce que dios te bendiga

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